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Chinese Painting


Author(s):
LIN Ci
Publisher:
China Intercontinental Press
Publication:
1/2010
Languages:
English
Binding:
Paperback
ISBN/SKU:
9787508516691
Pages:
181
Sizes:
230 x 155mm
Weight:
0.3100
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Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principles of perspective. It was rather a combination or harmony between the nature world and human emotion, a product of 'heaven (nature) and human'. The effect Chinese painters would like to illustrate in their paintings was not a visual effect of colors and patterns as their Western counterparts would like to achieve. The description of such factors as colors, principle of perspective, anatomy, surface feel, and relative size. What they would like to achieve was a world in their mind of non materials. The nature world was not an object for them to make a true copy and it was rather elements for them to build their own world.
Traditional Chinese painting was fundamentally an abstract art form. Although there were no absolute abstract Chinese paintings in its original meaning, objects in a painting were not a direct copy of the nature world following the principles of perspect